Taylor 712ce Prototype
• 1-3/4" Nut • 24-7/8" Scale • A/E
Prototype Taylor 712ce. As far as we can tell it's identical to the production 700 Series guitars, except that it says "PROTO" on the inner label.
This guitar is a Taylor Road Show sample. It's still in perfect, like-new condition and includes the Taylor lifetime warranty.
It'll only be at our shop until August 17th, so if you're interested call or come in today!
About the 712ce
The rosewood and Lutz spruce 712ce pairs Taylor’s cutaway Grand Concert body with a shorter-scale 24-7/8-inch neck for a physically compact and intimate playing experience.
The neck’s slightly condensed scale length makes fretting chords easier and reduces the string tension, making it easier to bend strings. Fingerstyle players will love the Grand Concert’s responsiveness together with the articulate sonic detail of the rosewood/Lutz spruce wood combo, and the Venetian cutaway offers more room to play up the neck.
Wood-rich aesthetic details include Hawaiian koa binding, a herringbone-style rosette featuring Douglas fir with maple/black accents, and bias-cut Douglas fir top trim, while a new “weathered brown” pickguard design complements the earthy color tones of the rosewood and wood trim.
Taylor’s onboard ES2 electronics add a pro-grade pickup and preamp for impeccable amplified acoustic tone.
Grand Concert Body Size
A smaller bodied guitar ideally suited for fingerstyle.
Body Length: 19-1/2" / Body Width: 15" / Body Depth: 4-3/8"
- The smaller body and tapered waist make it the ultimate studio and stage guitar
- Clarity and balance reign in this small, comfortable body shape
- Features a short scale and lighter string tension making it easier to play
The Grand Concert is the smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The compact size keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
The Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist help minimize overtones. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings.
The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players.
Taylor's current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
Lutz Spruce Top
A naturally occurring hybrid of Sitka and White spruce, Lutz blends the positive characteristics of Sitka and White spruce (and its close cousin, Engelmann spruce) with the robust tonal output of Adirondack spruce. It will respond well to a strong attack.
Origin: Northwestern North America
A naturally occurring hybrid of Sitka and White spruce, Lutz grows in climate zones between where Sitka and White spruce are found. (Sitka grows in more coastal areas, while White spruce thrives in interior regions.) Lutz has is considered very adaptive within those microclimates, which can yield properties that are superior to either species alone.
In terms of acoustic response, Lutz blends the positive characteristics of Sitka and White spruce and its close cousin, Engelmann spruce. The Lutz that Taylor uses for the 500 Series tends to exhibit characteristics of Adirondack spruce. The result is powerful sonic horsepower that translates into strong volume, projection and tonal richness.
Goes Well With: Most playing styles. Players with a lively attack will enjoy the tonal output and headroom.
Indian Rosewood Back & Sides
Indian rosewood’s sweeping frequency range at both ends of the tonal spectrum has made it one of the most popular and musically rich tonewoods. Its deep lows can assert a throaty growl, while bright, sparkling treble notes ring out with bell-like, high-fidelity clarity.
Origin: East India
Used On: The 700, 800, 900 Series Acoustic/Electrics, Acoustic 7, 8, & 9 Series, Laminate 200 Series
One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions.
Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany.
Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status.
Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.
Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.
Expression System 2 (ES2)
The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design
The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification.
The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before.
Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Behind the ES2 Design: Rethinking the Piezo Pickup
For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure.
That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.
The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it.
The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.
Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.
|Body Size||Grand Concert (GC)|
|Top Wood||Lutz Spruce|
|Back & Sides||Indian Rosewood|