Taylor 324e

Taylor 324e

Mahogany & Tasmanian Blackwood
1-3/4" Nut • 25-1/2" Scale • A/E

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This guitar is a Taylor Road Show sample. It's still in perfect, like-new condition and includes the Taylor lifetime warranty.

It'll only be at our shop until August 17th, so if you're interested call or come in today!

Grand Auditorium Body Size

A versatile guitar shape equally suited for fingerpicking and strumming.

Body Length: 20" / Body Width: 16" / Body Depth: 4-5/8"

  • An original Bob Taylor design introduced in 1994
  • Full in the lower register, present in the midrange, and sparkling on the treble strings
  • Taylor's signature shape embodies the ultimate all-purpose acoustic
  • Their most popular shape and a good place to begin your search

As Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert.

While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts.

The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing.

The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar.

Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Mahogany Top

As a top wood, mahogany produces a natural compression, so it won’t yield as quick a response as a spruce-top guitar will. A mahogany-top guitar will produce strong fundamentals, with clear and direct focus. It might be characterized as having a woody, dry tone.

Origin: Central and South America

  • A hardwood top with more density than spruce or cedar
  • The stiffness initially yields a bright tone that gradually gets deeper

Used On: GS Mini Mahogany, Baby Mahogany, Limited Editions, Custom Guitars

Harder, denser woods like mahogany and koa that are used on the back and sides of a guitar are sometimes used as tops. Their stiffness initially translates into a slightly brighter tone, but the more a mahogany-top guitar is played the more it develops overtones that contribute to a fuller, richer sound.

A mahogany-top guitar might appeal to rootsy players who like a little extra punchiness in their tone.

Goes Well With: Blues and roots players, anyone who likes an slightly more burly or punchy quality to their tone.

Tasmanian Blackwood Back & Sides

Blackwood’s tone profile resembles that of koa or mahogany in its midrange focus — a little dry and clear yet also warm — with an added splash of top-end shimmer and richness found in rosewood. Its musicality suits a variety of body sizes and musical styles.

Origin: Australia

Used On: 300 Series, Limited Editions, Custom Models

Tasmanian blackwood is an acacia wood species that is sometimes compared to Hawaiian koa, another acacia species. Its tonal range is similar to both koa and mahogany, featuring a strong midrange focus that is dry, clear and warm, with a splash of top-end shimmer and richness comparable to Indian rosewood.

The overall volume and projection are strong. Blackwood also is sourced from forests that are responsibly managed, making it a sustainable wood for guitar making.

Goes Well With: Different playing styles, depending on the body style and top pairing. A cedar top will help bring out a springy, woody, warm low end with a rich overtone complement that fingerstylists may really enjoy.

Stronger strummers and flatpickers will match up well with a bigger body and might be better suited with a spruce top.

Expression System 2 (ES2)

The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design

The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification.

The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before.

Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Behind the ES2 Design: Rethinking the Piezo Pickup

For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure.

That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.

The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it.

The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.

Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.

Body SizeGrand Auditorium (GA)
Top WoodMahogany
Back & SidesTasmanian Blackwood
FingerboardEbony
Nut Width1-3/4"
Scale Length25-1/2"
String Spacing2-3/16"
ElectronicsTaylor ES2
CaseTaylor Hardshell Case